It's been a while. My laptop is still broken and whilst borrowing Mademoiselle Gaston's is fine, it makes blogging quite hard, since I have no access to my music -which resides on my now broken- hopefully soon to be fixed, machine.
So apologies for the delays, and again for the lack of files, and stuff and here goes...
If I had to pick a band that epitomized the sound of autumn, it would be Pete and the Pirates. They play guitar-based pop music that at times is quite folky, at other times intensely frenetic – quite reminiscent of most other bands described as “angular” that have emerged from the
I definitely think these guys have the potential to be pretty massive in 2008, I had the pleasure to play with them a few times over the last year and constant touring (including SXSW) has seen them accumulate considerable tightness, which culminated in a performance on the Carling Stage at this year’s Reading Festival. I like the way the three voices in the band dovetail often to beautiful effect, their songs not always being led by the frontman, Tom Sanders (who has a sideproject called Tap Tap, that are also worth a listen), but occasionally by the bassist or the rhythm guitarist.
The songs touch on typical themes of love, longing, sex etc. as well as dancing in discos and cooking – they make me want to dance and just feel happy really. They leave you with that warm, fuzzy, feeling inside when you’ve just had some soup and a cup of tea on a chilly day. They are embarking on lots of dates of their own, followed by even more supporting The Young Knives. Album to be released next year. Single “Knots” was out last week, and I imagine if you look hard enough, you can still grab a copy of the wonderfully catchy, ‘Come on Feet’.
Annoyingly, the song which perhaps evokes autumn the most (She Doesn’t Belong), I can’t access right now. But I’m determined to post this today. So it’ll have to wait. I will post them when everything is back to normal.
And so now, to recap the last few weeks in terms of gigs dans
I went to see Menomena at Nouveau Casino upon hearing my flatmate, Census Johnston, rave about them for days. And he doesn’t usually do that unless a band is good.
They were incredible. I mention above how I liked the way Pete and the Pirates used three voices to good effect. Menomena outdo them quite possibly. A three-piece from
they consist of
Brett Knopf, who plays keyboards, guitars, glockenspiels and laptop,
Justin Harris, who plays electric guitar, bass guitar, saxophone and foot synthesier
And Danny Seim, who plays the drums.
They all share lead and backing vocals, which I think is pretty impressive given the complex structural nature of the music they play. Their voices all complement each other quite well especially in terms of pitch, I liked the drummer’s voice especially, I’ve heard he has a solo project so expect more writings once I’ve had time to check that out.
Live, it was incredible, partially due to Craig Thompson, a graphic artist. During the performance, he would be drawing animals and people and all sorts on a big, white screen behind the stage. At the end of the performance, this was pulled down and distributed amongst the crowd - I missed out sadly.
Thompson also created the artwork for recent album, Friend and Foe, which is incredibly intricate – it reminds me of one of those password finders they used to distribute with 80s video games to combat piracy.
Here is the recent single, Wet and Rusting, taken from the aforementioned album.
Last weekend was an electro double header. Friday night saw us venturing to Rex Club, for the Parisian album launch
His remix work also deserves a mention, having remixed the likes of Bloc Party, Kaiser Chiefs, Depeche Mode and Feist. A release including remixes of Justice’s ‘Phantom’ is slated for the near future.
Saturday night, after avoiding injury celebrating the
On Tuesday, I went to see Malajube at La Maroquinerie (translates as the tannery), which is an awesome venue. Malajube are from Montreal, a city which has produced many great bands over the last couple of years – Arcade Fire, Stars, The Dears to name but a few.
Malajube actually sing in Quebecoise French, which is interesting to say the least. In France, most people cannot stand the Quebecoise accent, it’s probably the equivalent of a Brummie accent in the UK. (I’m not saying there’s anything wrong with accents , I just would rather not listen to Brummies sing, or talk ever)
My French isn’t quite at the level where I can understand all the lyrics perfectly, but it really doesn’t matter when the music is of such a quality. They flit from glorious indie pop with a hint of the epic (
Live, it’s interesting especially as I had no idea really how everything was set up – I caught the tail end of their Los Campesinos! support slot back in June, but they had sound issues, which was frustrating. I would say, on reflection, that they are better on record than live, only in terms of how it sounds though, which isn’t really always what you go to see a band for. You want a performance with a bit of character, a bit of humour perhaps, and passion. And they definitely had that, the lead singer is a character. I think if you saw these guys on home territory in
Malajube - La Crabe
Malajube - Fille à Plumes
On Wednesday, I went to Fleche d’or for a Brille records showcase. We got there too late for Hatcham Social, but caught most of Operator Please and all of Good Shoes. I wasn’t especially taken by Operator Please, they weren’t poor in any way, I’m just not that familiar with any of their songs aside from ‘…Ping Pong’. Anybody who can write a song that catchy, whilst so young deserves a bit of time to grow though.
How Good Shoes aren’t absolutely massive, in a year when bands such as The Pigeon Detectives, The Twang and The Enemy have sold shedloads is beyond me. ‘Think Before You Speak’ is absolutely crammed with songs that all just scream ‘top 10 or 20 single’ at least, but they haven’t really made it past slowburning, underground success.
Perhaps that will change with the re-release of ‘Small Town Girl’ (originally their debut limited only release on Young and Lost Records), which sounded massive on Wednesday night. Quite why the insanely catchy ‘Blue Eyes’ wasn’t released as a single, I don’t know. I think it’s possibly their best song. It was a bit worrying that they only had one new song to play on Wednesday night, but I’m guessing after the upcoming single release and tour dates, they might hide away and work on new songs. I want more new Good Shoes songs!
Right. I’m done for now, might be the last post for a few weeks until my laptop is back up.